Once upon a time, California was home to groundbreaking work in
abstract, avant-garde animation. One of the most influential abstract
animators was Oskar Fischinger
(1900–1967), brought to Hollywood by Paramount from Berlin in 1936,
thus becoming the direct link from the European avant-garde film
movement to West Coast experimental filmmaking. Fischinger’s animated
films were quite successful in Europe in the 1930s, screening in
first-run theatres worldwide.
I have chosen to utilise this example in my research as it is a classic and simple example to how animation can compliment the music used in that animation. The use of complimentary movement and motion in sync with the beat and rhythm of the piece of music is inspiring for me. I wish to utilize this within my project, effectively creating a sync between animation and my Gantz Graf music track

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